ANTIQUITY & PHOTOGRAPHY: The Open University (London), September 10 2015
The fantasy of capturing the ancient world on film has fired the popular imagination ever since the early 19th century. Whether allowing armchair tourists the opportunity to view ancient sites without the need for travel, or reanimating ancient history and myth in flesh and blood, rather than pen and paint, the camera has, for more than two centuries, channelled a unique vision of the distant past. But while cinema’s relationship with antiquity has been endlessly studied in recent years, the same cannot be said of still photography, in all its forms. From the earliest days of the daguerreotype, which quickly became a valuable means of depicting archaeological sites, to the artistic photography of the present day, which can variously recreate and redestroy antiquity using both analogue and digital processes, the photographic medium is a powerful vehicle for exploring and commenting on our relationship to the past, which deserves to be examined in much more detail.
This one-day colloquium aims to provide a forum for colleagues interested in this area of research, in which any question or topic related to the theme of Antiquity and Photography can be discussed. In particular, it is hoped that the colloquium will explore some of the more creative and/or subjective ways in which photography has addressed the ancient past, in addition to its use as a tool for documenting archaeological finds.
11-1 Panel 1
Joanna Paul (Open University), ‘Time’s Relentless Melt: capturing Pompeii in contemporary art photography’
Shelley Hales (University of Bristol), ‘Commemorating the Dead: Pompeian corpses and post-mortem photography’
Clemence Schultze (University of Durham), ‘Borrowed authority: photography in reconstructing the Parthenon’
Ian Walker (University of South Wales), ‘Photographing the Parthenon frieze at one remove’
2-3.30 Panel 2
Jill Mitchell (University of Wales Trinity Saint David), ‘How to Record Life Moments: Photography as a means of recreating moments of a life in antiquity’
Alison Rosenblitt (University of Oxford), ‘Cummings’ Paganism and the Photography of Marion Morehouse’
Zena Kamash (Royal Holloway, University of London), ‘Site Seeing: visitor photography at Pompeii from the late 19th century to the present day’
4-6 Panel 3
Katy Soar (University of Sheffield), ‘Framing the Minoans: Representing Knossos in early twentieth century postcards’
Amanda Couch (University for the Creative Arts Farnham, and Creative Arts Education), ‘Dust, (photographic) grain, livers and me’
A Q&A session with Grace Vane Percy, photographer (Venus, Quartet Books, 2014)
Olympia International Art & Antiques Fair: ART AND THE INTERIOR AESTHETIC: AN ANALYSIS OF DISPLAY IN THE ENGLISH STATELY HOME
English stately homes are exquisite places to live. They are also magnificent living museums. The collections within these historic houses embody the personal identity of the owners, expressing their taste and stature whilst demonstrating a continued patronage of the arts and artisans. But what is the relationship between these grand country houses and the art, textiles and sculpture they showcase? The discussion explores the intertwining history of Britain’s finest buildings as family homes and art galleries. The fusing of home and culture which carries right through to the modern day as it informs the interior design of properties for today’s wealthy and elite.
Jeremy Musson is an architectural historian, author, broadcaster and historian buildings consultant. His area of special interest for the past 20 years has been the history and design of the English country house – although he has also worked on other important buildings including cathedral churches and colleges. Architectural Editor of Country Life in 1998-2007, and presenter of BBC2’s The Curious House Guest in 2006-2007, he has written widely on historic and contemporary architecture and is author of several books including How to Read a Country House, English Country House Interiors, and The Drawing Room. Born in 1965, he lives in Cambridge with his wife and family.
After starting his career with Asprey, London, Christopher Vane Percy formed CVP Designs in 1971, operating from above its Mayfair showroom until the mid-eighties. Christopher Vane Percy is a Past President of British Institute of Interior Design and until June last year a board member of the BIID as Heritage and Environment Director. Until 2014 Christopher was also The Regional Chairman – East Anglia – of the Historic Houses Association, a five year appointment. In 2013 he was appointed a trustee of Moggerhanger Park, where he has been working using his formidable talents to breathe life into this Soane masterpiece.
Grace Vane Percy specialises in Female Nude portraiture, predominantly for private clients. In her work she combines the concept of the classical nude and traditional photographic technique to capture timeless images of female beauty. Her signature atmospheric, flattering lit portraits have made her name in this field. She trained at Central Saint Martin’s, before going to study fine art and the techniques of the Old Masters in Florence. At the end of 2014 Grace released her first book entitled ‘VENUS’ and enjoyed her first solo exhibition – the culmination of a four years worth of research and work, for which Grace was also responsible for all editing, layouts and oversight of the specialist print process.
NEXT BIG THING: GRACE VANE PERCY
Spabreaks.com is the largest spa recommendation service in the UK, with venues across the country and abroad, but month in The Hot Tub they like to interview a person the consider to be a rising star… and this month IT’S ME!! I was of course completely honoured to be asked a few questions by the lovely Bonnie Friend
Check out the interview:
Photographer, Grace Vane Percy, specialises in taking nude photos of women that rival the old masters for their painterly style. She talks to us about inspiration and the launch of her first book VENUS!
What are you up to at the moment?
I am working on a new project which has a slight retro feel, think 70s black and white nudes but with a mysterious quality. It’s a series of nudes with a more erotic element, but still very feminine – showing female sexuality in the kind of way every woman can relate to!
Where does your inspiration come from?
Women. The natural beauty and diversity of real women and the sculptural elements in every body. I enjoy finding the unique beauty in each woman I work with and showing that to them in a photograph.
Who’s your role model?
Lee Miller! Ever stylish, feminine and beautiful, but practical, hard working, talented and an exceptional photographer, she was as inspiring as she was inspired.
Who would play you in a movie?
Audrey Hepburn! Please.
What’s your earliest photography memory?
Photographing my Sylvanian Families with my father’s Polaroid camera! I used to make brochures for imaginary hotels with them and cut outs from the Country Life property section!
What’s the biggest lesson you have learned so far?
If you want something done properly do it yourself, and always keep going. When you make the space in your life for something you want and cut out the things which are just sapping your time and energy (even if they help you pay the bills), the thing you’re working towards will always come flooding in. It has been true for me every time.
When you’re not working on being the next big thing, what do you do to relax?
I love yoga and I also love to cook every day, I’m a vegetarian and love all the variety and delicious options. Recently I’ve been experimenting more with raw food, which has been amazingly yummy and very satisfying, my husband’s also surprised himself by enjoying the fruits of my labour too!
We encourage everyone to do one thing each week to be kind to themselves, what are you going to do this week to #bekindtoyou?
Someone said to me recently, you should always treat yourself as you would treat a child. I’m not quite managing that, but maybe if the weather’s nice I’ll buy myself a big ice cream!
Tatler October 2014
Full page teaser in this month’s Tatler ahead of next month’s feature! Thanks @Tatleruk team!
THE OPÉRA Annual Magazine For Classic & Contemporary Nude Photography Volume II
Nude photography: the most direct portrait of a person is once again the focus of the second edition of “THE OPÉRA magazine” – and presents the body at once as performer and stage. In numerous intimate encounters, international photo artists document and direct the wealth and individual aesthetic of the human body. They retain the histories of the people depicted in the images in an almost physically palpable way. In this second edition, editor Matthias Straub gets a step closer to these people without losing the deferential distance between object and artist.
Artists (among others):
Olivier Ameur, Olaf Breuning, Hannes Caspar, Alexey Dubinsky, Bill Durgin, Trude Fleischmann, Luis Gispert, Torkil Gudnason, Nicolas Guerin, Li Hui, Andrea Hübner, Rachel de Joode, Ilja Keizer, David Leventi, Jim Mangan, Shinichi Maruyama, Stefan Milev, Anouk Nitsche, Yves Noir, Polly Penrose, Grace Vane Percy, Carla van de Puttelaar, Neda Rajabi, Pascal Renoux, Brian Riley, Christy Lee Rogers, Sam Scott Schiavo, Fridolin Schöpper, Michael Taylor, Jessica Tremp, Spencer Tunick, Igor Vasiliadis and many more.
Published in November 2013
Available at Amazon
Yuan Peng und Jakob Wessinger